May 2012
April 2012
Not a Christian, but still: THIS
Beauuuutiful thumpings.
Helios Vargtimme
Burial NYC
Mr Fingers Waterfall
Zomby Tarantula
Cos-Ber-Zam Ne Noya (Daphni Edit)
Keith Worthy Deep For Dayz
Levon Vincent Revs/Cost
Unique 3 Weight For The Bass (3 Ton Mix)
Bok Bok & Tom Trago Pathfinder
Auntie Flo Oh My Days (Pearson Sound re-edit)
Armando 151
Maurice Donovan Babeh
Objekt Cactus
DJ Marley Marl Beyond
Pearson Sound Working With
Floating Points ARP3
2562 Take The Plunge (Beat Mix)
Lou2 Freaky (Zanzibar Mix)
Boddika Up & Dance
Vessel Nylon Sunset (Peverelist Remix)
Rod Lee Get Fresh Groove (Pearson Sound re-edit)
DJ Gukwa Terminator
Kingdom Stalker Ha
Ramadanman Grab Somebody VIP
Ordinary People Baby You Make My Heart Sing
Joy O Ellipsis
Logos King Mob
Pearson Sound Footloose
Pinch & Shackleton Rooms within a Room
Helix Stacks Riddim
Rod Lee Unknown
James Blake Vogue
Oneohtrix Point Never Sleep Dealer
Asbo 1 Asbo 1
Random Trio Troy
Mala Hunter
D1 Subzero
Distance Saints & Sinners
Loefah Rufage
Skream Midnight Request Line (Mala Remix)
Benga One on One
Shackleton New Dawn
Kode9 Stung
Joker & Rustie Play Doe
James Blake Curbside
Josh Sixty Break A Mirrored Leg
Dntel Anywhere Anyone (Pearson Sound Beatless Reduction)
Better than Kub, even? Mail me a slice!
By Kenneth Goldsmith, poetryfoundation.org
Boy, am I glad that I didn’t build UbuWeb on the cloud. There were times when I actually considered it. I mean, it sounded so good: unlimited server space, bandwidth, global access, all for free. There were times over the past few…
You have to remember we’re now 25-30 years down the line into electronic music, we have that whole history and lineage to draw on. Right now, dance music is at the least polarised, least tribalised period that it has ever been. Music is more easily obtainable than before, people are constantly looking for something new.
Within house music, within techno music, within dubtep music, the boundaries have already been set - there has been a set way of doing things for quite a while. Many, many years in some cases. It’s experimentation within those frameworks that has led to a more open vibe. There’s a lot of music out there that borrows from a lot, yet doesn’t quite fit with any one particular genre - and there’s no real name for it at the moment, which is cool.
” —The Quietus | | | Subliminal Frequencies: An Interview With Pinch
Or: why I haven’t given up on beats, bass, etc—-fallow periods are absolutely necessary.
(via solarflares)The Warrior b/w Less Than Half
Scandal featuring Patty Smyth, Columbia Records/USA (1984)
BANG BANG
The Clash — Spanish Bombs - 1979
Seaworthy’s Rattled Rushes.
- If you’re single and don’t want to be single anymore, you could make an online dating profile and on it try to summarize what exactly makes you a person worthy of being loved, and you could upload that one really nice picture your friend took of you for a community center photography class he ended up being unable to pay for. Your mother said “it barely even looks like you” in a complimentary tone of voice.
- If you’re seeing someone but your relationship status is ambiguous and you’d like it to be less ambiguous you could call that person and say “listen we’re not fifteen anymore and I don’t need a word to define whatever this is, but just so we’re clear, what is this?” and if they say “a university-funded research project wherein we examine the effects of small doses of kindness and affection on otherwise grotesque, unlikable individuals with drinking problems and okay but not like spectacular or particularly unique tastes in music” feel free to GChat with me about it.
- You could stream the hot new mp3 that at least one moderately popular music blog recently called “hazy and wistful” and that has serious mainstream-indie potential, so that when you hear the song playing over the opening credits of a $20 million Jonah Hill vehicle (about a mole infestation!!1) and your film-going companion begins steeling themselves for your usual whispered “I can’t believe people are still listening to this song, what is this, a 2008 Will Ferrell vehicle” you can instead subvert their expectations by simply saying “oh, I love this song,” thereby illustrating that you listen to music because it makes you happy, disregarding all the messy politics of taste in favor of a refined “I like what I like”-type attitude—i.e. still critical about what you like and why you like it, but not necessarily concerned with what that nebulous shadowy Other might think about what you like (and besides, it seems like in certain corners of the blogosphere “I like this” is the new “I hate this,” possibly because the primary audience for the early part of this decade’s hipster-ethnography fad was OTHER hipsters, who inbetween the books’ stale PBR jokes saw something of themselves and thought “I need to change”).
- You could do a couple of push-ups, depending on where you are, and whether or not you have arms.
- You could pick up smoking! If you’ve never smoked a cigarette a before you’ll nearly keel over w/ a pleasant light-headedness that for the rest of your days spent scouring the same couch ten times over for the six nickels you need for a pack you’ll be chasing after, until eventually (really within the first week or two of your sexy newfound dependence) you forget why you’re even doing it and just do it, every day, 3, 10, 26 times, until just the notion that you might, at some indefinite point, not have enough money for cigarettes will be enough to give you a minor panic attack.
Party Down marathon continues…jeezus it’s almost 3 am….one more episode…
Here is Volume One, which explores the music that laid the groundwork for progressive rock. Tracklist below, comments to follow in the next post. Get it here.
- Delia Derbyshire & Ron Grainer: “Dr. Who Main Title” 2:10
- The Yardbirds: “Happenings Ten Years Time Ago” 2:57
- The Wilde…
Looks amazing — Every Great Song Ever has kicked off a big, multi-volume overview of UK prog. Don’t be afraid of the prog, people! Extensive notes, too.
untitled by alexander zhikharev
